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findingphilblog

In search of my grandfather's past … and maybe a book deal

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The Book

Found, Together

It still doesn’t feel real. Twenty years after I put my head down on a lonely desk in an empty newspaper office and pulled it up with his image burning across my brain, this journey Grandpa Phil and I took together meets its incredible conclusion. I have a book deal.

On May 13, I signed with Sunbury Press to publish Three Rivers Home.

While there’s still so much to do (developmental editing, more beta reads, fact-checking), I’m reveling in the joy this moment brings.

It will be real, on a shelf, just like the thousands of books that shaped my childhood and adulthood. What’s more, in seeing a little boy who lost everything thrice over survive, readers might find strength to get through their hardest days.

Last week, I got to share I the happy news with my amazingly supportive friends at Pennwriters during our annual conference. It was at the 2024 event in Lancaster that I met Lawrence Knorr, Sunbury’s CEO, and pitched my manuscript. Returning to Pittsburgh, where I’d begun pitching, was an especially sweet, full-circle moment. The talented colleagues I’ve met through Pennwriters are an invaluable source of inspiration, information and generosity. One theme running through Three Rivers Home is finding where you belong. Like stepping through the doors of Ursuline Academy, onto the portico at the E.W. Scripps School of Journalism or into newsrooms across Pennsylvania, there’s something soul-settling about gathering with my fellow writers.

So, what have I learned across two decades, thousands of hours, multiple rejections and more than one computer disaster that almost ate all my hard work? The same thing Grandpa Phil did: Just.Keep.Going.

Satisfying endings aren’t guaranteed. It’s only in looking back that all the connections seem to point toward success. In reality, nothing’s certain — except that giving up ensures failure.

The family Grandpa and Grammy created remains. Not all in Pittsburgh, but we are together, living in a future I’m not sure either could imagine. The family his story created — through writing groups, compassionate beta readers, encouraging friends and helpful historians — will add new members as the book launches (date to be determined.)

Music has been another constant through this journey. From Phil’s mysterious, one-time performance of “Sweethearts on Parade” to the “Hamilton” and “Moana” soundtracks that soothed the pandemic’s depths and inspired me to keep trying. It wasn’t a surprise when a song I’d long forgotten found me again. “Almost Home,” off Mary Chapin Carpenter’s “Party Doll and Other Favorites” album, rang out as the Squirrel Hill Tunnel’s darkness gave way to a bright May morning shining over the city view that never fails to take my breath away. It’s an amazing feeling, isn’t it? Knowing whatever journey you’ve completed is past, and you’re returning to a place of safety and rest. I imagine, had it existed in 1924, the words would have resonated with Phil and Joey, too. As the horrors of their childhood receded, the boys walked out of Allegheny County Courthouse as part of a family and headed back to Troy Hill. They weren’t running. They weren’t hiding. They were almost home.

Signs and Wonders

It is real now. I officially began querying agents on Thursday, March 14, the 113th anniversary of Grandpa Phil’s birth (and about three years later than I thought). Our project, going out into the world under the title Three Rivers Home, is a work of love. Love for my family. Love for a grandpa I never got to know in life, but found after his death. He never got to take me fishing or show me how to change a tire, but Philip Leo Brenckle, the gentle soul who grew from the scared little boy named Filippo Arturo Venezia, taught me how to catch a dream.

It’s a luxury he glimpsed but never grasped. Grandpa yearned to turn his talent for making Donahoe’s fruit baskets—topped by fantastic, complex bows—into a business. We’re alike in that way, Francesco, Phil, and me. Whether it’s tailoring, basket-making, or writing, using our structured creativity is the essence of freedom.

As I set out on the toughest leg of this journey, Grandpa — once again via my Aunt Mary Ann — let me know he’s watching and rooting along with the rest of the family.

Mary Ann and my uncle Buck live in the family home and have been remodeling it. The basement’s being turned into a full bathroom because, like so many Pittsburgh houses, it’s got a “Pittsburgh Potty” and shower. And, tucked under the steps leading from the basement to the first-floor kitchen is Grandpa’s workbench. It’s sat untouched since he died in 1964. The mysterious concertina, upon which he played only once in memory, belting out Louis Armstrong’s “Sweethearts on Parade,” is lodged in a cubby beneath its broad top, still scattered with baby food jars of nails, brackets, washers, and nuts. Little did we know the bench concealed a secret relic of Phil’s deferred dream.

On March 14, at about the same time I was composing query letters to my first two agents, Mary Ann and Buck pulled back the bench.

Behind it was this wood-burned sign, as close as Grandpa got to becoming the proprietor of his own fruit basket business, which he’d planned to start at the Brenckles’ Garden Center on Babcock Blvd.

My parents happened to be in Pittsburgh last weekend for an event, and Mary Ann presented it to them. Of course, it will go to my brother and grandpa’s namesake, where it belongs.

So, thanks again, Grandpa, for reminding us that you and Grammy are still watching and cheering for the next generation’s success.

Philip Leo, Filippo Arturo

He would have been 110 today.

There are a lot of assumptions in that sentence. That he would have made it this long. That he’d be one of those knobby-kneed Italian men, drinking wine and toasting his still-dark hair.

As it was, he got a bit more than half of that.

I watch my father with my little girl and I ache all over again for the hole in my life — and in his life, my aunt’s and Grammy’s — the combined negligence and abuse of Ottavio, Pasquale and Mike Natale created. For the bad luck of needing heart surgery just as effective modern techniques were being developed.

He had crazy strokes of good luck for so long. Luck he used to push his brother farther. His sister to more safety. His wife to a safe harbor of a loving man. To stay as long as he could for the children whose 1950s-era Baby Boom world he couldn’t understand, but loved just the same. Sometimes, I feel that luck has been passed down the way his chin has. I just wish a little had been left over for him.

But maybe, just maybe, he felt lucky to be where he was, just as he was.

I am so close to the end. I’d hoped to be done by now. I’d set a goal long ago to mark Grandpa’s 110th birth anniversary with a completed novel and open the search for an agent. But. Life gets in the way. Raising a child and working full time at a great and busy job gets in the way.

I get to thinking that I dip my toe into his world, and he lived it every day. I can take a break from it. He never did.

So. I course-correct. Re-commit to getting done, even if it means less sleep for a while. People have lived with worse.

The Bellaire chapters are hard. They are dark and angry and fraught with tension. Sometimes, I sit in front of my computer, hand to mouth, not wanting to write the next natural thought that proceeds from all the research I’ve done. There is hope, but I see, through the glass darkly, how far away it seemed.

So I turn to music to power through.

Lately, the two albums on heavy rotation have been the work of Broadway wunderkind Lin-Manuel Miranda. Hamilton, and the Moana soundtrack.

I choke back tears every time I hear the chorus of the closing song “Who lives, Who dies, Who Tells Your Story?” 

Because that’s what this is, isn’t it? 110 years past his birth, 53 years past his death, I am telling his story. I am making judgments about who is worthy of honor, and who fails at humanity. Are they right? Are they the same ones he would have made? I hope so. I keep remembering that these people are not characters. They were human beings, with complex lives that leave them neither damned sinners nor glorious saints. Except maybe you, Mike Natale. Except maybe you.

And then there’s Moana. The story of a girl who longs to know who she is. Who feels pulled by forces she doesn’t understand until she realizes that what she is isn’t weird. She’s exactly who she’s supposed to be. And the quest she goes on to find herself, it’s epic.

In a lot of ways, these ten years, they’ve been my quest. To fill in the missing pieces of three generations of souls. I know it’s folly to think I alone can bind wounds that were never mine to manage. Still, the words of the movie resonate. “And the call wasn’t out there at all; it’s inside me.” 

I almost don’t want all this writing and researching to end. In the movie, just when Moana is about to give up, her Grandma Tala appears. And I’m in tears again because not only does it remind me of Grammy, it makes me miss her so. I know that Phil is right there next to her. For 10 years, they’ve been right there. I got married. I had a baby. I changed jobs. There were times when I thought that what I was doing was stupid and a waste of time. That this will never see the light of day and even it if does, it won’t be good enough.

But.

I’ve spent 10 years in his company. 10 years knowing so much more about him than I did the day I put my head down on my desk in my miserable office in Pittsburgh and pulled it back up with his name ringing in my brain.

Over and over, his memory has raised my head and challenged me to live the life he started but never got to finish.

To quote another Hamilton lyric, “that would be enough.”

Because his name, Joe’s name, Mary’s name. They mean one thing. Love. I can’t speak for all families. I only know mine. But there’s a truth there. Love will come from somewhere. Family will come from somewhere. It can tear you apart, but it can also literally save your life. Phil’s blood betrayed him. A stranger held out hope and a hand. It changed the course of 10 lives and counting.

Over and over again, it’s come back to me.

Lin’s amazing, immortal pronouncement. A truth I see in 110 years of history.: Love is love is love is love.

That was fast, but this will not be easy

Rewrite? *le sigh*
Rewrite? *le sigh*

Wow. Dave’s already gotten back to me with a critique. I deeply appreciate the fast response because it gives me a lot of time to work on it. Thanks, Dave!

For the second time, I’ve heard that my dialogue writing is fine, but that my super-structure needs work.

Sigh. I must need a class or something because this is the third attempt (I did my own rewrite about a year before I sent it to Paul) to right that wrong. I essentially make too many assumptions about what people know. But it’s funny because another reader suggested that I go overly long on the exposition and I need to leave more to the reader’s imagination. Editors! 🙂

And if I had to critique myself, I’d say that the novel still doesn’t feel as sophisticated as I’m imagining it should be. There’s an elegance I feel I reach every time I do a major edit, only to watch it skitter away when I put it down and then re-read it.

So, it’s time for me to once again to back to the drawing board. Maybe this time with a hammer and chisel instead of just a red pen.

Better get crackin’.

Another reader steps forward

In an effort to once again kick myself in the pants, I’ve turned my book over to another friend, David DeKok. Dave’s a longtime journalist and author who specializes in historic non-fiction. His books about Centralia, a cholera outbreak in New York and an unsolved murder at Penn State have all gotten lots of positive media attention, so I’m eager to hear his thoughts.

Learn more about Dave here.

Edit complete!

Wheeeeewwww. I feel like I’ve run a marathon. I’ve completed my revisions, based on Paul’s comments. Paul suggested I get a few more sets of eyes on the piece before trying to send it out. A very kind friend, whose writing and, more importantly, nose for BS I respect greatly, has agreed to take a read. I’m eager to hear what he has to say.

Either way, I feel like celebrating!

Where I write

Writing Room

A peek behind the curtain. I love writing here.

Virginia Woolf said it best, “A woman needs a room of one’s own…”

Editing

Editing

It’s Sunday again, and I’ve decided to move my efforts to a sunny location, full of pillows and lemonade. I’m editing one of my favorite scenes (if you can say favorite over something that’s actually really sad) — the siblings’ departure from their mother’s house. I suppose I like it because I feel I’ve gotten the raw emotion of the situation down. Well, better get back to it. These Sundays never seem to last long enough.

We all need a good laugh

Haha

I could use a chuckle after all of the heaviness of my last post. So I’m just gonna leave this guy right here as a reminder to keep pushing myself to get this thing done already!

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